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If I used words like “tiresome” and “lazy” to describe this pointless remake/reboot, it wouldn’t be sufficient to express the apathy I feel for Columbia Pictures’ sad attempt to exhume a franchise that was pronounced dead by the ti...

To call Music of the Heart a departure for filmmaker Wes Craven is to make an understatement of colossal proportions. Craven, the driving force behind two of the world's most popular horror movie series, A Nightmare on Elm Street and Scream, has o...

Is Poor Things a fantasy with comedic elements? Or perhaps, considering its Frankenstein underpinnings, a horror movie? Or maybe a drama that promotes feminist ideals and libertine philosophies? In reality, it may be all of those things…and more...

Robert the Bruce could be seen as a sort-of unofficial sequel to 1995’s Braveheart; in both films, Angus Macfadyen plays the role of the 14th century King of Scotland. The new movie, which Macfadyen co-wrote, transpires between one and two y...

With Two Lovers, director James Gray has remained geographically within his comfort zone (New York City), but has moved textually away from the crime and corruption-laced stories that have marked his previous efforts. This is strictly a character-...

Loyalty. Betrayal. Violence. Family. Those are the crucial staples to be found in any crime drama worth viewing, and writer/director James Gray shoehorns them into his high wattage effort, We Own the Night. Despite a plot that occasionally creaks...

Zodiac is a police procedural - a sort of souped-up, ultra-long episode of Law & Order. Based on the 1986 "true crime" book by Robert Graysmith, the movie looks back on one of the nation's most sinister unsolved crimes: the Northern California ser...