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Watching Into the Abyss, I had the overwhelming sense that, somewhere along the way, Werner Herzog lost his way. It happens to the best filmmakers, and that's one of the perils of making a documentary - events don't always go where the man behind t...

On some level, I feel that I should have been able to enjoy Into the Blue. It has all the elements one would expect from a "so bad it's good" feature: cheesy dialogue, a script that could have been written by two chimpanzees, acting that would mak...

Into the Storm is as straightforward a disaster film as you're likely to find. It has all the characteristics of the genre. The narrative trajectory is linear and uncomplicated. The two-dimensional characters are entrenched in their own flimsy, soa...

There's something seductive about the idea of turning one's back on civilization and all its trappings. Many of us entertain this thought during a daydream or in those gentle minutes between wakefulness and sleep, but we don't view it as the act of...

Into the Woods left me out in the cold. The long-gestating cinematic adaptation of Stephen Sondheim's fairy tale-infused Broadway musical, Into the Woods can claim a clever screenplay and a few enjoyable performances but little else. The generic ...

When it comes to horror films, there's one basic principal to consider: consistency means everything. A movie can deviate as much as the filmmakers like from the laws of the real world as long as they establish and adhere to an alternate set of ru...

If you want something shaken up, who better to turn to than (Phil) Lord & (Chris) Miller? Apparently, their brand of concussive trembling was a little too much for the Star Wars universe but not so for the “Spider-Verse,” a strange and won...