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Ash (Bruce Campbell) is a housewares salesman at an S-Mart department store before a venture to the house from The Evil Dead and The Evil Dead II sends him through a time tunnel into the Middle Ages. Suddenly, as the "Promised One" of prophesy, he i...

Certain expectations accompany any Adam Sandler film, although expectations have morphed over the years as Sandler has aged and attempted to broaden his target audience. Many of his best films, such as Paul Thomas Anderson's Punch Drunk Love, have ...

At first, the marriage between classical British literature and Bollywood musical would seem doomed to failure. But this particular match, arranged by Gurinder Chadha, finds a surprisingly rich field of common ground. Bride and Prejudice is bright, ...

Draft Day is a sports movie that's almost entirely about the business of sports as opposed to what transpires on the field. This isn't the first film to make that claim - Jerry Maguire and Moneyball were more about the goings-on in the front offic...

Oh no, not another PG-13 horror film! "But wait," you say. "It's by Sam Raimi." Perhaps, then, it shouldn't be routinely dismissed as just another tale of demons and ghosts that has been emasculated with the goal of appealing to pimple-faced teen...

Although The Eclipse is technically a horror film, dealing as it does with issues of the supernatural, it has the heart of a romance and the tone of a drama. It's slow, thoughtful, and melancholy - at times seeming to forget that a ghost story is ...

Fathers' Day simply has to be seen to be believed. It's beyond my comprehension how a motion picture with so much talent associated with it -- actors Robin Williams and Billy Crystal, super-producer Joel Silver, and director Ivan Reitman -- can be...

Ghost House is a generally well-made but ultimately unsurprising excursion into the supernatural. Although more interested in psychological terror than a high body count, the film touches enough of the expected tropes that horror fans will be ...

Giant makes for an interesting case study of a "classic" American motion picture. Although it was a huge financial success for Warner Brothers, the prints were allowed to fall into a shocking state of disrepair over the years. And Giant's reputat...

Despite the allusion in the title, Guess Who is not a remake of the classic Guess Who's Coming to Dinner. In fact, other than borrowing the underlying premise (girl brings home boyfriend of a different race to meet her family), there are few simil...