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Maybe it's just wishful thinking, but I believe Hollywood has a tendency to underestimate the teenage viewing crowd. While it's certainly true that a portion of that demographic goes to theaters only for the most superficial form of entertainment,...

The success of Paul Hogan's Crocodile Dundee in America is about as unlikely as the success of the title character on the streets of New York City. Nevertheless, in part because of Hogan's winning smile and in part because of his unpretentious sty...

The Crow is a gothic nightmare. With a view of Detroit that is every bit as bleak and dazzling as the urban panoramas presented in Batman and Blade Runner, this film makes it clear from the outset that wherever its flaws may lie, they will not be ...

Most films focusing on the racial division of South Africa are framed around a mood of seething anger and tension. The inequities of the recently-abolished apartheid system have provided fuel for a series of motion pictures steeped in bitterness a...

Renny Harlin, whose previous directorial efforts include Die Hard 2 and Cliffhanger, seems fond of big, explosive action pictures. Unfortunately, excepting his debut (the middle film in the Die Hard trilogy), plot coherency hasn't been a particula...

The similarities between Daddy’s Home 2 and last week’s release, A Bad Moms Christmas, are striking. Not only are the two films sequels to successful first installments but they follow the similar template of bringing back the most popular...

Dadetown is a "meta-documentary" about small-town America in the 1990s. Is a rural, close-knit community still the "American dream", or, with the closing of factories, has it become a kind of American nightmare? A stunning first feature from ...

There was a time when the western was one of Hollywood's most popular genres. Whether it was Gary Cooper standing tall in High Noon, Burt Lancaster and Kirk Douglas taking out the Clantons in Gunfight at the O.K. Corral, John Wayne fighting the Apa...