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The sad truth about After Earth is that not only is it difficult to find things it does well, but there are numerous examples of outright incompetence dotting the landscape. Outside of some nice visuals, it's impossible to find a reason to recommen...

Controversy is swirling around Bandit Queen, likely to be one of 1995's most discussed features. Supposedly based on the real-life experiences of a modern Indian folk hero named Phoolan Devi, the authenticity of the film's script is now unde...

The underlying premise of Devil is the kind of thing Alfred Hitchcock could have used to develop a tightly-wound, pulse-pounding suspense movie. Unfortunately, Hitchcock is dead and the two men shepherding Devil through its production are not near...

Ghost House is a generally well-made but ultimately unsurprising excursion into the supernatural. Although more interested in psychological terror than a high body count, the film touches enough of the expected tropes that horror fans will be ...

The best element of M. Night Shyamalan’s 2017 horror film, Split – and one of the few things it did right – happened at the very end. The brief, surprising reveal of Bruce Willis reprising his David Dunn character from Unbreakable create...

M. Night Shyamalan has always been something of an illusionist. Even at his best, he succeeds not because he's a masterful storyteller but because he's an expert at sleight-of-hand and pulling rabbits out of his hat. With The Lady in the Water, S...

The Hate U Give is a coming-of-age story – an unconventional one, to be sure, but a coming-of-age story nonetheless. It’s also an exploration of race in America. In an of itself, there’s nothing unique about that but this movie, directed...

It’s not hard to understand how something like Jojo Rabbit might divide audiences. Comedies about Hitler, the Holocaust, and the Third Reich can be difficult to sell, even if there’s an underlying seriousness to the subject matter. Writer/...

If Knock at the Cabin was an episode of the old TV series “The Outer Limits,” it would be regarded as middling and forgettable. Such descriptors seem kind, however, when applied to a 100-minute production that requires an admission fee. A medi...