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Hotel Artemis has the look and feel of a graphic novel adaptation, albeit with a few pages missing. With its flashy action sequences and Tarantino-wannabe vibe, the movie tries hard to be hip and edgy but ends up simply being uneven. Tonal shi...

With Hugo, Martin Scorsese has accomplished what few in Hollywood are willing to try: make a movie for adults that arrives without sex, violence, or profanity and earns a PG-rating. It's a fairy tale for mature viewers, but the airy exterior hides ...

With the Ice Age movies, you get what you expect. This is the fourth installment of a franchise that has been around since 2002. (In this case, it was decided against recasting all the voices and re-telling the first story with only a few cosmetic ...

For its first two-thirds, In Bruges is an intelligent, gently paced thriller about what happens to hitmen when they screw up. The movie crawls at a deliberate pace for most of its running length, allowing the characters to be fleshed out and offer...

A glance at Paul W.S. Anderson’s filmography does not inspire confidence, and that concern is proven valid for In the Lost Lands. Watching this production is a strange, almost surreal, experience because at no point does it seem like a movie eve...

Introducing the Dwights is a coming of age story that (thankfully) doesn't play coy with issues of sexuality. The film, from Australian director Cherie Nowlan, doesn't always move smoothly (it has a tendency to jump around a little, especially in ...

With the freedom offered to him by Netflix, Martin Scorsese has crafted a narratively complex, visually arresting account of mob hitman Frank Sheeran (Robert De Niro) and, in the process, reunited with some old friends and brought new ones to ...

The 2003 version of The Italian Job is less of a straightforward remake of the 1969 picture than it is a complete re-interpretation. Enough has changed that it's possible to see the two films not as the same story separated by three decades, but a...