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With Brooklyn's Finest, director Antoine Fuqua and screenwriter Michael C. Martin use the ensemble approach of Crash to tell the minimally entwined stories of three Brooklyn cops, all of whom have reached a crossroads of one kind or another. Storie...

Cadillac Records, while not a "musical" in the traditional sense, is close to 50% musical content and 50% drama. Accordingly, it's about 50% good and 50% bad. The re-creations of some of the most noteworthy blues and early rock tunes from the '50...

After viewing Casino, you may never look at Las Vegas in quite the same way. While this film, adapted from Nicholas Pileggi's nonfiction book, Casino: Love and Honor in Las Vegas, doesn't offer much in the way of startling revelations, it presents...

When Pierce Brosnan took over the role of James Bond for Goldeneye, much was made about how the franchise was being "modernized." In reality, the only apparent changes were cosmetic. Brosnan's 007 was easily connected to the character previously p...

The Color of Money is a good movie, but perhaps not a good sequel. In revisiting the shady, obsessive world of former pool shark Fast Eddie Felson (Paul Newman), Martin Scorsese provides us with a character so different from the one found in Rober...

Contagion is the best movie made to date about an epidemic/pandemic. By making the characters accessories to the story rather than the central focus, the film is able to tell the story of the evolution of the disease without being encumbered by mel...

In essence, Control is a standard order biopic of a tormented artist. What makes the film interesting, if not unique, is the style in which director Anton Corbijn has elected to present it. Rather than approaching the picture with the vivid psych...

Roger Ebert once said that, if done right, any topic could be the subject of a comedy. In that spirit, consider The Death of Stalin. From the title, one might assume that this is a serious look at a seminal event of 20th Century world history. ...