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Like most Agatha Christie stories, Murder on the Orient Express is all about the “whodunnit?” Once that question has been answered, there’s little reason to revisit the story. Christie never cared much about character development and her ...

Beware Opening Night films at film festivals. More often than not, they disappoint. Such is the case with Christine Lahti's My First Mister, which was given the undisputed honor of opening the 2001 Sundance Film Festival. From audience members a...

Nanny McPhee is an excellent movie… if you're a seven-year old girl. That's less a negative evaluation than it is a statement of fact. This isn't a "family film;" it's a "children's film." What's more, it's for girls who are old enough to unde...

Dread – it’s the lifeblood of any good horror movie/ghost story. Blood, gore, and a high body count are all nice accompaniments, but for a film in the genre to work, it has to fill the viewer with an almost suffocating sense of doom. When ...

Noble House was one of the last great mini-series to air during the dozen-year term when the format was at the pinnacle of network viewing. From 1977’s Roots to the late 1980s, the mini-series grabbed phenomenal ratings as it brought viewers...

One of the age-old questions about movies is whether a terrible ending can ruin an otherwise solid motion picture. In the case of Oxygen, the bad aftertaste from the contrived and unconvincing conclusion diminishes the experience but doesn’t...

At one point in history, indigenous populations around the globe were evolving slowly and happily, whether in North America, South America, Africa, or Australia. Then, spearheaded by a wave of intrepid explorers, came the Europeans, spreading out ...

Renaissance is the latest in a growing range of screen titles with a graphic novel sensibility. Coming in the wake of Sin City, Renaissance treads through similar territory, but with a striking difference: director Christian Volckman uses rotoscop...

Science Fair is one of those documentaries where a “making of” feature might be as interesting as the actual film. That’s not to cast aspersions on the movie, which paints a lively portrait of several participants in the 2017 (ISEF Inter...

As Shaun of the Dead illustrated, it is possible to make a horror comedy that is both funny and scary. Severance, while not nearly as successful as Edgar Wright and Simon Pegg's zombie movie, manages to mix in a few good gags with the requisite go...