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It goes without saying that it's dangerous for a lamb to spend time in the den of wolves, but when that lamb lingers longer than is necessary, the result is guaranteed. Alpha Dog, the 2006 Sundance Closing Night film whose resemblance to a real-lif...

To give director John Stockwell and screenwriter Matt Savelloni, at least Armed Response isn’t the generic shoot-’em-up I was expecting. There are some legitimately intriguing ideas explored in the film and, familiar though the concept of ...

For her feature debut, writer/director Zoe Cassavetes has elected to tread into territory where even the best stories feels like clichés. Broken English is competently made and features a solid performance from lead actress Parker Posey, but it's...

For the first time in their four collaborations, the director/actor pairing of Yorgos Lanthimos and Emma Stone misses fertile soil. Bugonia, a remake of Jang Joon-hwan’s 2003 comedy Save the Green Planet!, proves to be a mismatch of tone and mat...

Televangelism and those who practice the dubious form of money-driven religiosity represent low-hanging fruit when it comes to satire. A lot of the material – Jimmy Swaggert crying crocodile tears, the eyes of Tammy Faye, etc. – comes across a...

Death is as natural a part of life as is birth; every existence ends in the former as it begins in the latter. Human beings, however, have a natural aversion to addressing death in an open and honest manner. It's as unsuitable for polite conversa...

I have not read Nicholas Sparks' The Notebook, but I have heard good word-of-mouth about the novel. Sadly, the elements that made the book special did not survive the transition to the screen. The Notebook, as adapted by Nick Cassavetes from a sc...

Has it come to this for director Nick Cassavetes? The son of acclaimed iconoclast filmmaker John Cassavetes, Nick has been toiling in mostly indie circles for the better part of his career, making some fine motion pictures in the process: Unhook th...

Save the Last Dance, a movie about finding salvation on the dance stage, takes a little Pygmalion, a little Romeo and Juliet, and a lot of formula, wraps them up with a neat bow, and delivers a passably entertaining package. The film stumbles not ...