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Throughout his long, respectable career, French auteur Eric Rohmer has been known for three qualities: a gentle touch, a simple style, and the ability to craft some of the most delectable dialogue ever to grace the screen. The magic of Rohmer's f...

What do you get when you cross George Romero with The Three Stooges by way of the director of A Simple Plan and The Gift? Something offbeat, to be sure. Something grotesque, without a doubt. Something... groovy. Evil Dead II can be seen as ...

There be Spoilers! here.Over the space of a decade beginning with Francis Ford Coppola’s 1979 Apocalypse Now, no fewer than five influential directors made films about the Vietnam War. Four of those were clustered during the late 1980s: Oliv...

I’m pretty sure that I once saw this movie on Cinemax’s “Fridays After Dark” program (back in the day when the pay channel was affectionately known as “Skin-a-max.”) Even if it was never featured, it might as well have been. Alongside ...

The careers of filmmakers David Lean and Bernardo Bertolucci overlapped for a short span (Lean’s best years coming prior to Bertolucci’s breakthrough) but, when the controversial Italian director released his celebrated epic The Last Emper...

It would be easy to lump Lethal Weapon into the vast scrapyard of mismatched buddy cop movies, but such a facile classification would do Richard Donner's 1987 thriller a disservice. This is one of the best of the subgenre, an action-packed movie t...

I'll be among the first to admit that Timothy Dalton is a fine actor. But giving a solid performance has little to do with being a good James Bond, and, as accomplished as Dalton is, he's a failure as 007 in The Living Daylights (to give him ...

A few films from the 1980s have aged like fine wine. More, however, have turned to vinegar. The Lost Boys, despite its nostalgia-soaked reputation, falls into the latter category. A horror comedy that is neither as scary as it should be nor as fun...

It’s a fair assessment that my overall unfamiliarity with Indian cinema may have amplified some of my criticisms of Mani Ratnam’s Nayagan (or, as it is also known, Nayakan). Two aspects that I found to be distracting – the oddly-placed mu...