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The full title of Hobbs & Shaw is “Fast & Furious Presents: Hobbs & Shaw.” By referencing the “parent” franchise in the name, Universal Pictures reminds viewers that this is attached to the behemoth franchise that, over the course of e...

Into the Storm is as straightforward a disaster film as you're likely to find. It has all the characteristics of the genre. The narrative trajectory is linear and uncomplicated. The two-dimensional characters are entrenched in their own flimsy, soa...

In the wake of the massive and massively successful The Avengers, Iron Man 3 wisely doesn't attempt to outdo its immediate superhero predecessor when it comes to big-time action, pyrotechnics, and special effects. Instead, it opts for something a l...

John Dies at the End is problematical. It's an attempt by director Don Coscarelli to adapt a book that has a fanatical following but has often been described as "unfilmable." The end result has garnered mixed reactions from those who love David Won...

The John Wick series, now on cruise control for its third installment, has fallen into a trap. The filmmakers have become so intent on delivering “more of the same” that they have lost all sense of proportion. While hyper-violent, quasi-co...

John Wick has lost his mojo. The aspect of this franchise that made it compulsively watchable for the first two installments has degraded during the last two. John Wick has always been a comic book-style property (although Chapter 4 feels more lik...

Much to the delight of those who enjoyed 2014’s John Wick, the second installment of the series (which is intended to be a trilogy, assuming box office performance warrants its continuation) represents a seamless extension of the original film. All...

Killer Joe earns its NC-17 rating. A gleeful and unapologetic descent into delicious decadence, Killer Joe is proud of what it is and never tries to be something it isn't. A slick looking exploitation thriller from veteran director William Friedkin...