Search for 2024

Love Me is a testament to the ability of a marketing team to assemble an intriguing trailer out of 90 minutes of pretentious poppycock. Watching the trailer, one might expect the movie to offer an adult version of the story told in the family film...

If there’s a rule to be aware of when it comes to Sony’s so-called “Spider-Verse” movies, it’s this: If Spider-Man isn’t in it, it’s likely to disappoint. That applies to Venom, Venom: Let There Be Carnage, Morbius, and now Madame Web...

Maxxxine has the ideas. It has the style. It has Mia Goth. But somewhere along the way, writer/director Ti West lost the story. And, when it comes down to it, a movie can have a lot of nice flourishes and a great performance but if the narrative i...

Mean Girls, like 2023’s The Color Purple, is a reminder of Hollywood’s ongoing taste for self-cannibalism. Not content merely to take a known property and send it to the stage as a musical, the industry has taken the play, re-made it as a movi...

The term “an interesting failure” was coined for movies like Megalopolis, an incoherent (but often fascinating) excursion into the mind of writer/director Francis Ford Coppola. An allegorical exploration of modern-day America, this movie i...

In his famous 1944 speech to the Third Army, General George S. Patton said the following: “The Nazis are the enemy. Wade into them. Spill their blood. Shoot them in the belly.” I don’t know whether director Guy Ritchie thought of those w...

Back in the 1990s, as Disney’s second golden age of animated movies surged, the company entered the sequel business, churning out follow-ups to their popular titles. For the most part, these represented inferior products and Disney knew it, but ...

Monkey Man, the feature directorial debut of actor Dev Patel, is a blood-soaked revenge tale with a high body count that refuses to pull its punches to make the protagonist more likable. Although generally following a superhero “origin story” ...

Mufasa, a prequel to both 1994’s original and 2019’s remake of The Lion King, is an example of commercialism at its most obvious. Although there are praiseworthy elements to Barry Jenkins’ venture into the series and children will almost cert...

My Old Ass is an effective and affecting coming-of-age story with a large dose of magical realism that allows an 18-year-old version of the lead character to meet her 39-year-old self. Despite what has been written about it in some quarters, this ...