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The Fall Guy represents what a true “summer movie” should be: a light, fast-paced spectacle with likeable characters and a balance between action/eye candy and narrative elements. No one is going to call Drew Pearce’s screenplay a masterpiec...

Spoilers for those who don’t know the true-life history of the protagonist’s Olympic story.For about an hour, The Fire Inside feels like a traditional boxing movie. Some of the elements – specifically those that relate to issues associated w...

Throughout the course of its bloated (132 minutes, sheesh) length, Greg Berlanti’s Fly Me to the Moon never figures out what it wants to be. Is it a rom-com? A screwball comedy? A parody of conspiracy theorists and their crackpot hypotheses? A v...

Fans of George Miller’s Mad Max world, which has now reached its fifth installment, can relax: despite Max’s absence from Furiosa, the aesthetic hasn’t changed. The look, feel, and sound of Fury Road is evident throughout this spin-off/p...

After 40 years and four movies, Ghostbusters is starting to feel as long-in-the-tooth as the returning members of the main cast. Although there are those who thought any considerations of continuing the principal timeline (as opposed to the one sp...

Throughout his career, Ridley Scott has assiduously avoided sequels, making only two: Hannibal (the follow-up to Jonathan Demme’s The Silence of the Lambs) and Alien: Covenant (the sequel to his own Prometheus). Gladiator II marks the third. ...

For several entries, the series dubbed by Warner Brothers as the “Monsterverse” has been declining into Transformers territory. Godzilla x Kong marks the point at which that dreaded barrel-bottom has been reached. A numbing excursion into CGI ...

The Greatest Hits is a time-travel movie, but not a conventional one. Instead of someone stepping inside a time machine and emerging at a date in the past, this one involves the transfer of a consciousness into a body at an earlier time. There’s...

Let me start out by saying that my four-year-old daughter liked the film considerably more than I did, which probably says all that needs to be said about Harold and the Purple Crayon. Like the book from which it gets its name and inspiration, the...

For a movie like Here, which eschews the norms of narrative filmmaking in favor of something experimental, the first question to ask is whether the story, stripped bare of the director’s approach, is worth telling. The second question is whether...