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The summer of bad sequels finally has an entry that can boast being noticeably better than its immediate predecessor: American Wedding. The third entry into the American Pie series, this movie is a vast improvement over the tired and uninspired Am...

Although the 1980s were not kind to most traditional monsters - vampires, mummies, gargoyles, and the like - the first two years of the decade offered three prominent werewolf movies. The first to reach the screen was Joe Dante's The Howling, whic...

An American Werewolf in Paris is a failed attempt to recapture the humor and horror of John Landis' 1981 feature, An American Werewolf in London. Where the original had comedy, the sequel has the kind of revolting silliness that can be found in TV...

The Answer Man is one of those modestly diverting motion pictures that's as sweet as cotton candy - and as insubstantial. "Forgettable" is the best term for something like this. It's not painful to sit through but it's unlikely anyone is going to...

The title character's "mojo" isn't the only thing missing from Austin Powers: The Spy Who Shagged Me. Also absent are the freshness and spontaneity that characterized the original. Those characteristics have been replaced by lame and obvious atte...

When Mike Myers and Jay Roach introduced the world to Austin Powers: International Man of Mystery in 1997, their intention was to make a one-off spoof of James Bond movies and '60s culture. The movie did okay at the box office, then exploded in po...

Through the years, there have been many big-screen attempts to satirize James Bond, from the terrible misfire Casino Royale to the recent, even-worse Spy Hard. In between, even the "official" Bond series got in on the act -- during the Roger Moore...

It may be fair to consider Away We Go as Sam Mendes' penance for Revolutionary Road. The director's late-2008 Winslet/DiCaprio reunion was an immersion in bile - an acidic trip underneath the placid exterior of mid-20th century suburbia to a rot t...

More than twenty years after the deaths of director Akira Kurosawa and actor Toshiro Mifune, the names remain entwined. For nearly two decades, the pair combined to make some of the best Japanese movies to hit the world stage. And, although Ku...

Director Kiyoshi Kurosawa (Pulse, Tokyo Sonata) isn’t known for subtlety or restraint. Although Before We Vanish represents a change-of-pace (a sci-fi film that, as is the case with many sci-fi films, examines the human condition), many of h...