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Most of us, even some who were part of the "in crowd," think of ourselves as having been outsiders during high school. It's the nature of adolescence. Movies like Stephen Chbosky's The Perks of Being a Wallflower capture the awkwardness, the lonel...

The filmmakers responsible for Pieces of a Woman tout its honest, life-affirming qualities. While no one would debate the former, it’s necessary to come through the narrative’s gauntlet to achieve the latter. This is an emotionally wrenchi...

"[Ready to Wear/Pret-a-Porter] is just a silly little movie, it's not a serious epic. So just enjoy, laugh with it, have a good time. It's no big deal." - Robert Altman, director of Ready to Wear One wonders whether Robert Altman arrived at ...

Late in his career, as he has transitioned from the dual role of “actor/director” to primarily remaining behind the camera, Clint Eastwood has become increasingly fascinated with real-life subjects. He has also long been interested in diss...

Shall We Dance? proves that Japanese film makers can fashion charming, feel-good movies every bit as effective as their Hollywood counterparts. Unlike the Australian comedy, Strictly Ballroom, which used ballroom dancing competitions as arenas f...

Shall We Dance? is a remake of the 1997 Japanese feature by the same name. Penned and directed by Masayuki Suo, that film was an unexpected pleasure - a feel-good feature that wasn't weighed down by the unnecessarily cloying melodrama and manipula...

The Space between Us is what it looks like when a promising premise is betrayed by a dumbed-down, hackneyed screenplay. Instead of developing this movie as a coming-of-age story of the first Earth-conceived child born on another planet, the narrative...

The Sweet Hereafter is film maker Atom Egoyan's most compelling movie to date. Amplifying many of the themes explored in his previous outing, Exotica, the Canadian director/writer/producer shows the powerful effects of grief and anger on a com...

Sweet Virginia is an odd title for a movie set in Alaska. An early version of this moody, atmospheric neo-noir thriller was located in the Appalachian Mountains; however, when director Jamie M. Dagg came on board, he moved the setting far to t...