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The summer of bad sequels finally has an entry that can boast being noticeably better than its immediate predecessor: American Wedding. The third entry into the American Pie series, this movie is a vast improvement over the tired and uninspired Am...

Although the 1980s were not kind to most traditional monsters - vampires, mummies, gargoyles, and the like - the first two years of the decade offered three prominent werewolf movies. The first to reach the screen was Joe Dante's The Howling, whic...

An American Werewolf in Paris is a failed attempt to recapture the humor and horror of John Landis' 1981 feature, An American Werewolf in London. Where the original had comedy, the sequel has the kind of revolting silliness that can be found in TV...

There are two kinds of thrillers - action-oriented endeavors such as those popularized by James Bond and Jason Bourne, and slow-burn motion pictures that rely less on pyrotechnics and gadgets and more on psychology. The American belongs in the lat...

Kevin Costner knows Westerns. He also loves them. Thus far, the one-time matinee idol has directed four films; three of them have been Westerns. (The fourth, The Postman, was a Razzie-honored post-apocalyptic misfire.) After his directorial debut,...

There's more to a quilt than fabric and thread -- each patchwork design has its own unique story (or stories) to tell. In How to Make an American Quilt, the first Hollywood release from Australian director Jocelyn Moorhouse (Proof), we come to...

Spoilers - this review discusses the film's ending. The Last American Virgin is a member of the Teen Sex Comedy Class of 1982, which represented the first wave in a genre that gained popularity during the early and mid-'80s. With a late July ...

If one was to clump together all the movies – both narrative and documentary – made about the Vietnam War (or, as it’s called in Asia, the American War), the number would be in the three-digit range. I have seen many of those (although b...

With Oppenheimer, director Christopher Nolan steps away from the action/adventure core that has been his bread-and-butter and opts instead to channel his inner David Lean. Despite being overlong and unevenly paced, Oppenheimer contains moments of ...

Late in his career, as he has transitioned from the dual role of “actor/director” to primarily remaining behind the camera, Clint Eastwood has become increasingly fascinated with real-life subjects. He has also long been interested in diss...