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With Magnolia, director Paul Thomas Anderson has segued into the realm of the three hour movie. It's an ambitious step to take - making lengthy, ensemble movies with tangentially related and occasionally interconnected storylines can be a risky en...

The Master is one of the most technically impressive films of 2012. It is the work of an artist; every shot is carefully composed. The set design, which recreates post-World War II America, is impeccable. The acting of the leads, Joaquin Phoenix an...

It's tempting to label Meet the Robinsons as just another in a long line of recent computer animated kid-traps, but it deserves a more upbeat description. Thankfully, we're not subjected to the new staple of the big-screen cartoon - anthropomorphi...

Few working directors are as consistently, dependably quirky as Wes Anderson, whose films tend to excite art house audiences while being ignored and bypassed by mainstream movie-goers. His latest, Moonrise Kingdom, represents one of his best, in la...

When I first saw Next Stop, Wonderland at a packed screening in the Egyptian Theater during this year's Sundance Film Festival, I was not impressed, and couldn't understand why Miramax Films would ante up $6 million for what is fundamentally a re-t...

The Night Listener is an eerie, occasionally disturbing motion picture focused on the differences between perception and reality. The film exists in the gray area separating drama from psychological thriller, although the mood is in many ways more...

When Robert Redford announced his retirement from acting in August 2018, it appeared that The Old Man & the Gun would be his swansong and, at least in terms of tone and content, it’s hard to imagine a better way for the veteran actor to bow ...

For his tenth feature film, writer-director Paul Thomas Anderson once again reinvents himself. A filmmaker who has consistently resisted pigeonholing with projects as diverse in tone and content as Boogie Nights, Magnolia, and Phantom Thread, Ander...