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Considering his involvement in Superbad, it’s not surprising to see Seth Rogen’s name in the list of Good Boys’ producers. In terms of intent and tone, the films have a lot in common, even if the latter production focuses on characters a...

Initially, the stage-to-screen transition of the Broadway musical Jersey Boys was expected to be helmed by Jon Favreau. When Favreau withdrew, it opened the door for veteran director Clint Eastwood to take the reins. Eastwood's approach to telling ...

A few films from the 1980s have aged like fine wine. More, however, have turned to vinegar. The Lost Boys, despite its nostalgia-soaked reputation, falls into the latter category. A horror comedy that is neither as scary as it should be nor as fun...

Unconventionality is not always an asset and, in attempting to experiment with offbeat techniques to encourage viewer engagement, director RaMell Ross has inadvertently done the opposite, creating distance instead of immersion. In film, shaky cam-...

There are a number of ways one can categorize October Sky. My preference is to call it Varsity Blues for those who don't like athletics. And, while such a facile description threatens to reduce this movie to a plateau far below its worth, it ...

She Dies Tomorrow belongs to a film category that is sometimes referred to as “existential horror,” which prioritizes atmosphere over characters and narrative and a creeping sense of dread over more tangible, jump-in-your-seat scares. Ther...

In a year of debacles and big budget implosions like Supernova, Mission to Mars, and the unforgettable Battlefield Earth, the task of creating the most satisfying science fiction movie (to date) has been left to veteran director Clint Eastwood. Wh...

Back in mid-'90s, director Curtis Hanson was known as a B-list filmmaker - someone who could cull a fair amount of tension out of workmanlike stories such as The Hand That Rocks the Cradle and The River Wild. All of that changed in 1997, however, ...