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In a way, I feel like the victim of a bait-and-switch scheme.  The movie I saw isn’t the one advertised in the trailers. As marketed, The Meg looks like a breezy, campy monster movie that supersizes Jaws with an infusion of Jurassic Park. I...

No one could ever accuse Lars von Trier of being uninteresting. Even his most maddening, inaccessible films are compulsively watchable, if only to see what will happen next. Melancholia represents von Trier at his best and worst. Visually and thema...

Men is Alex Garland’s third film, following in the wake of Ex Machina and Annihilation. It is his least accessible production to-date, venturing into the psychotic horror hinterlands where movies like Darren Aaronofsky’s mother! reside. It’s...

Have you ever seen a tabloid headline like this: "Woman gives birth to son of six-headed alien"? Men in Black, the new science fiction comedy from cinematographer-turned-director Barry Sonnenfeld (Get Shorty), postulates that such stories are not...

Men in Black II would be a thoroughly entertaining affair if it wasn't for one thing: the plot. The annoying and pointless storyline is a constant irritant because it diverts our attention from the real reason to see this movie - the easygoing ch...

The problem with some franchises is that the studios don't know when it's time to quit. The lackluster nature of Men in Black II should have been a hint to Sony that the Men in Black series had run its course. Now, at least ten years beyond the "s...

If I used words like “tiresome” and “lazy” to describe this pointless remake/reboot, it wouldn’t be sufficient to express the apathy I feel for Columbia Pictures’ sad attempt to exhume a franchise that was pronounced dead by the ti...

You know the old saying about putting lipstick on a pig? Well, that's pretty much what's happening with Timur Bekmambetov's Mercy, a tedious and preposterous whodunnit. It is so poorly scripted and negligently paced that the distributor (Amazon MG...

Polls of the most “important” films made during the silent era consistently rank Fritz Lang’s Metropolis at or near the top (alongside Eisenstein’s Battleship Potemkin and Murnau’s Nosferatu). There’s a reason for this: seemingly ...

Celebrated South Korean writer/director Bong Joon Ho has a resume any self-respecting filmmaker would envy, with titles like Memories of Murder, Snowpiercer, Okja, and the Oscar-winning Parasite shining the brightest. Sadly, Bong’s latest, an ad...