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Ticket to Paradise is a frothy concoction that will appeal to those whose movie-loving sensibilities are anchored to the rom-coms of the 1980s and 1990s. Had this movie been made 25 years ago, it likely would have been hailed for its whimsy, f...

Trade is a straightforward and uninspired look at the sex trade, where girls are kidnapped and forced into prostitution. To its credit, the film avoids titillation but, at the same time, it is so full of moral outrage that there's no sense of dram...

The events depicted in The Trial of the Chicago 7 occurred in 1968-69. Aaron Sorkin began working on the screenplay in 2007. But, oh how relevant the story chronicled in this movie feels today... What is it that George Santayana wrote in The L...

In their follow-up to the underrated Good Time, the Safdie Brothers (Benny and Josh) have shown that the some of the most forceful qualities evident in their previous film were more trademarks than one-off experiments. Uncut Gems, although ver...

Let me begin by stating that I cannot recommend Under the Skin to audiences in search of a mainstream movie experience. This film, a cryptic adaptation of Michel Faber's novel, is all about mood and setting. It's as existential as a sci-fi/horror f...

Welcome to film noir, Soderbergh-style. For his latest effort (and fourth feature), the talented director who made the dialogue-and-character-rich sex, lies, and videotape turns his attention to this talky update of 1949's Criss Cross. Focus...

Spoiler warning: The movie is based on real people and events so I am less constrained about revealing certain historical facts than I might be with a fictional account. The story told in Vincere, despite being as faithful to history as one can ...

By the late 1950s and early 1960s, the musical had become one of the most popular motion picture genres. The list of past hits was impressive, including titles like Singin' in the Rain, South Pacific, The King and I, Oklahoma!, An American in Pari...

Winter's Bone offers a case study in the essential philosophical differences between independent motion picture thrillers and Hollywood/mainstream ones. The third feature from director Debra Granik and winner of two awards at the 2010 Sundance Fil...