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This review could be considered to contain spoilers.Past Lives is quietly powerful – an understated examination of longing, connection, and unconsummated love. In the way it plays with concepts like fate and soul mates, it’s sort-of an anti-Sle...

Pathfinder feels like one of those generic '80s action films where there's plenty of violence with no suspense, lots of stunt work but no excitement, and a cast of characters so poorly developed that it's easier to care about the background scenery...

Precious (saddled with the unwieldy subtitle: Based on the Novel Push by Sapphire) manages the task of being both heartbreaking and heart-warming, all without resorting to the kind of manipulation so often evident in dramas about underprivileged ki...

The ageless Isabelle Adjani, one of France's most beautiful faces, has an undeniable screen presence. And, with his lean, well-toned body and finely-sculpted features, Vincent Perez is equally pleasing to the eye. However, put them together with ...

Most Civil War films - and there have been quite a few over the years - have a tendency to skew their perspective towards the Northern viewpoint. It's not hard to understand why - the old South may have been North America's final refuge for a gent...

Safe House is an overlong, underwhelming knock-off of The Bourne Identity - another generic spy thriller in which the "bad guy" (a traitor) is the good guy (because he's at war against corruption) and the "good guys" (government agents) are the bad...

While watching Tom George’s See How They Run, two references came to mind (in addition to the obvious Agatha Christie ones): the oeuvre of Wes Anderson and Rian Johnson’s Knives Out. Although See How They Run isn’t as head-scratchingly quirk...

Note: I consider this review to be “spoiler-lite.” Although there are no overt revelations of things that can’t be learned by scanning published cast lists or watching the trailer, if you don’t want to know anything about the movie, co...