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King of California is the second movie opening this month to feature Evan Rachel Wood and, while it's better than the other one (Across the Universe), it's not that much better. Wood's performance is at about the same level, albeit without the sing...

The Last Exorcism is one of those rare films where the marketing campaign is more interesting than the film it publicizes. The movie is clearly low-budget and, rather than spending big bucks in the traditional arenas, Lionsgate has elected to prom...

There's a little Roald Dahl in Lemony Snicket's A Series of Unfortunate Events, and that leads one to wonder what a twisted director like Danny DeVito (Dahl's Matilda) or Tim Burton (Dahl's Charlie and the Chocolate Factory) could have made out of ...

Oblique spoilers follow. Nothing specific, but there are some hints about things perhaps better left unrevealed.Yes, for a majority of its running length, Life is an Alien clone. The similarities are so strong that they’re impossible to ignor...

17 years ago, the film industry dusted off a popular 1960s spy show, created a bloated, big-screen iteration with stars like Ralph Fiennes, Sean Connery, and Uma Thurman, and watched it implode at the box office. Terrible reviews and public indiffere...

As remakes go, The Manchurian Candidate is better than most. It remains faithful to the premise and themes of the original, but, by avoiding a slavish re-interpretation, it offers some surprises to those who are familiar with the 1962 version. Ye...

For more than 30 years, one of the great mysteries of journalism and politics was the identity of Woodward & Bernstein’s key Watergate source, “Deep Throat.” Between Deep Throat’s period of contribution (1972-73) and his voluntary unma...

Martha Marcy May Marlene is a quiet, non-judgmental character study that takes us into the mind and heart of a cult survivor. By flashing back and forth in time periods between the "present" and the "recent past," the film builds a picture of the t...

There's a kind of exhaustion that sets in while watching Marty Supreme – a response to the relentless, anxiety-inducing noise that defines the 150-minute experience. In Josh Safdie's first solo directorial effort in more than 15 years (following...