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These days, everyone wants a multiverse movie – Marvel, DC, and now the guys who made Swiss Army Man. If nothing else, Everything Everywhere All at Once shows that it can be done without committing a nine-figure sum to the production budget. Tha...

(This may contain spoilers. Hard to say with a series like this.)Life may be like a box of chocolates, but Fast and Furious films aren’t. With these movies, you always know what you’re going to get. After two decades of increasingly improb...

The idea underlying Fast Food Nation is intriguing: take the premise of the best-selling non-fiction book by Eric Schlosser and convert it into the backstory of a fictional film. Where director Richard Linklater runs into trouble is in the executi...

With Ferrari, Michael Mann falls afoul of one of the pitfalls of the bio-pic: by focusing too tightly on one brief period in the main character’s life, he creates an “is that all there is?” feeling. Although the real Enzo Ferrari was a large...

Perhaps the most curious and counterproductive aspect of The Fifth Estate, the so-called "Wikileaks movie," is the decision by director Bill Condon and screenwriter Josh Singer to establish the film as a thriller. The material covered in the produc...

Firestarter, one of Stephen King’s most recognizable titles, reached bookstores in 1980 and was subsequently nominated for several prestigious awards. However, as has often been the case with King’s novels, the movie regurgitation, released in...

Throughout the course of its bloated (132 minutes, sheesh) length, Greg Berlanti’s Fly Me to the Moon never figures out what it wants to be. Is it a rom-com? A screwball comedy? A parody of conspiracy theorists and their crackpot hypotheses? A v...

Five years ago, Hollywood paired Kate Hudson and Matthew McConaughey in the romantic comedy How to Lose a Guy in 10 Days and the match rewarded the filmmakers with box office receipts exceeding $100 million. No doubt the hope was that a reunion of ...

Fracture is refreshingly different from the average mystery thriller in that it does not bombard the audience with "shocking" twists and "surprise" turns. This is a good thing, since those kinds of gimmicky plot elements more often than not derail...