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Hoppers is Middling Pixar. By that, I mean that it's a perfectly fine animated film, especially for kids, but not an exceptional one. It lacks the unquantifiable magic that has imbued the best of the studio's offerings, operating instead withi...

In recent years, as cloning has become more readily accepted in popular and scientific circles, proposals (some more fantastical than others) have been suggested about how to return extinct species to the planet. Some, like using the DNA of a prese...

I guess this is what narcissism looks like. Or at least a vanity project run amok. It’s a pity because I enjoyed director Trey Edward Shults’ 2017 horror movie, It Comes at Night. But this isn’t really about Shults; it’s about The Weeknd. ...

The Intruder is an unwelcome throwback to the late 1980s and early 1990s when titles like Unlawful Entry, Single White Female, and The Hand that Rocks the Cradle were inexplicably the rage. This new take on an old idea won’t challenge The St...

Over the past two decades, horror movies have increasingly gravitated toward jump-scare experiences: stories more interested in delivering sudden shocks than developing suspense through mood and atmosphere. This dumbing down of horror, which h...

Just Mercy is the kind of high-minded tale about social injustice that often opens around this time of the year. Despite the whiff of “Oscar bait” surrounding the production, it’s a well-made, affecting tale about do-gooders who do good ...

Spoilers abound! Beware if you care.It’s rare to find a film as discombobulated as Kin, a would-be franchise-starter that begins as a dysfunctional family drama, changes into a road movie, and concludes as a science fiction-tinged siege film...

The most important name associated with this new telling of the tale of King Arthur is “Guy Ritchie.” More than most working directors, Ritchie comes to projects with his own specific take on them – one that inevitably rubs some viewers ...