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In 2016, one wonders whether there’s a place in cinema for the 104-year old Tarzan. To make the character more relevant to a modern audience, screenwriters Adam Cozad and Craig Brewer, along with director David Yates (who helmed the final four ...

Let it Rain, a French film that has taken two years to reach North American theaters (a testimony to how poor the market is these days even for well-made, high-profile foreign fare), makes the case that simplicity in a motion picture can be a good ...

Since 1992, when Lethal Weapon 3 became an undisputed box office hit, there has been talk about a follow-up. With the possible exception of the still-unconfirmed Die Hard 4, Lethal Weapon 4 has been the subject of more (often inaccurate) rumors th...

Life of Pi is a curious juxtaposition of the mundane and the majestic; a film that strives for something grander than what it perhaps achieves. At times, the simple story - one of spirituality and survival - exudes a quiet, hypnotic power, but ther...

Fear of the dark - few phobias are more common across the spectrum of modern society. Horror, in all its shapes, sizes, and forms, often works by exploiting this. It’s an underpinning of vampire stories and almost all horror films save their go...

With the arrival of Rob Marshall’s live-action The Little Mermaid, Disney has now successfully converted all four of their major late ‘80s/early ‘90s animated musicals into updated iterations. Of the quartet (which also includes Beauty and t...

The tale of Lock, Stock, and Two Smoking Barrels is the most improbable of success stories. After having difficulty securing a financial backer, Guy Ritchie's debut feature became one of the biggest home-grown successes in the U.K. last year. Now...

Locked, David Yarovesky’s English-language remake of the 2019 Argentinian thriller 4x4, comes equipped with a simple premise: a petty criminal, while attempting to steal a luxury vehicle, becomes trapped inside when he triggers its aggressive an...

In 2013, after making Side Effects, Stephen Soderbergh announced his retirement from feature filmmaking. Over the next few years, he kept busy, primarily as the main creative force behind the TV series The Knick, which he directed, executive p...