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Regarding a concussion as a serious brain injury is a relatively recent phenomenon. For many years, “getting your bell rung” (as the expression goes) was something people were expected to shrug off. For sports, the fix was to take a coupl...

Creed II, the follow-up to 2015’s surprisingly successful Creed, runs afoul of a common problem to plague unplanned sequels: the need to match audience expectations trumps all other concerns, including creative latitude. The eighth installment...

Creed III is the first Rocky movie without Rocky. Considering the imbalance created by the Stallone/Jordan dynamic in Creed II, the decision to excise the Italian Stallion from the narrative framework makes sense. The Creed movies need to move forw...

As improbable a concoction as it might seem, Edge of Tomorrow is a curious mix of ingredients from the 1993 Harold Ramis/Bill Murray comedy, Groundhog Day, and James Cameron's 1986 sequel to Alien. An Earth-versus-aliens tale set in the near future...

Sometimes it's only through the greatest of tragedies and the gravest of injustices that human beings learn to relate to each other honestly and openly. Nowhere is this more apparent than in Jim Sheridan's searing In the Name of the Father, where ...

Kiss Kiss Bang Bang is the breezy directorial debut of Lethal Weapon screenwriter Shane Black. Black knows film noir inside and out, because he uses the basic template here. He jazzes things up by employing an aware and self-deprecating narrator ...

Wilde Salome and its companion piece, Salome, may rightfully be considered Al Pacino’s “lost film”. Although made more than a decade ago in 2006, the movie wasn’t fully edited and ready for showing until 2011. Despite making some fest...