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Watching Heartbreaker is like observing a bizarre cinematic experiment: what might occur if the French attempted to make an American-style romantic comedy. Whether it's a success depends on your point-of-view. The only thing to keep director Pasca...

Although the events depicted in Fatih Akin’s In the Fade are fictional, their implications and consequences are grounded in reality. Terrorist events are becoming sadly commonplace and, although news reports focus on the immediate action, ra...

Based on the evidence at hand, it's impossible to say whether director Oliver Hirschbiegel's (Downfall) original cut of The Invasion would have been any good. What can be said is that the mismatched blending of Hirschbiegel's low-key horror and th...

The two best words to describe the 2006 motion picture Miami Vice are "stylish" and "intense." One of those descriptors without the other could lead one to suspect a pretentious bore or a pointless exercise in action but, by pairing them, writer/d...

It’s said that one of the reasons George Lucas deferred making the Star Wars prequels from the mid-1980s to the late 1990s is because the special effects technology he needed wasn’t available. I was reminded of this while watching Wolfgang...

For those taking a global view of Pirates of the Caribbean: The Curse of the Black Pearl, it's very easy to be cynical. This is, after all, cross-promotion at its most blatant. What could be more marketable that one of Disney's most popular theme...