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When I think of director Richard Donner, my mind gravitates toward titles like Superman and Lethal Weapon - high points in the filmmaker's career. Recently, however, Donner's output has been less impressive, and includes the bloated excess of Assa...

How do you get a werewolf movie to earn a PG-13 rating? Turn it into a Harlequin romance. Actually, Blood and Chocolate still shows signs of neutering but what has been toned down to get the teen-friendly classification is the sex and nudity not ...

Without pussyfooting around, I can state that Catwoman is a catastrophe. An amalgamation of bad clichés purr-loined from other, better superhero movies (not that there are many - if any - that can be considered worse), this motion picture is an e...

Das Boot, Wolfgang Petersen's 1981 international sensation, has become the latest motion picture to be remastered for a major re-release. Unlike a certain space trilogy, there aren't any "optically enhanced" scenes, but the 1997 version of Das...

There's a reason why so many action/comedies are failures. This is as true for more obvious misfires like The Bounty Hunter and Cop Out as it is for minor infractors like Date Night, an affable but ultimately forgettable example of the genre. In ...

Sixteen years after her death, Princess Diana is still capable of generating interest, which is probably the only reason why this dull, pointless movie was greenlighted. A scattershot treatment of the paparazzi darling's life during her post-Charle...

Downfall is the third major filmed account of Hitler's final ten days, following in the distant wake of 1973's Hitler: The Last Ten Days and 1981's The Bunker. A superior production to both of the earlier movies, Downfall is a windfall for anyone w...

The Edge of Heaven, a film that switches back and forth between Germany and Turkey, is a drama about redemption that structurally echoes films like Babel and is a thematic cousin to some of Kieslowski's more penetrating motion pictures. Evenly div...

Watching Heartbreaker is like observing a bizarre cinematic experiment: what might occur if the French attempted to make an American-style romantic comedy. Whether it's a success depends on your point-of-view. The only thing to keep director Pasca...

Although the events depicted in Fatih Akin’s In the Fade are fictional, their implications and consequences are grounded in reality. Terrorist events are becoming sadly commonplace and, although news reports focus on the immediate action, ra...