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This review is based on an IMAX 3-D screening. Lewis Carroll's "Wonderland" stories, much like the collected works of Roald Dahl, can be perceived from a number of perspectives. Although traditionally seen as a children's tale, Alice's Wonderla...

Alice through the Looking Glass may represent Disney’s first big-budget failure in quite some time. More likely to inspire thoughts of Michael Bay than Lewis Carroll, this sequel to Tim Burton’s 2010 Alice in Wonderland borrows sparingly ...

All Quiet on the Western Front is the definitive World War I motion picture, the best of a surprisingly small class of movies. Despite being overshadowed in history by the conflict of the late 1930s and early 1940s, The Great War was the subject o...

It’s never a good sign when you’re checking your watch and the movie isn’t even half over. Unfortunately, that’s the case with Anemone, the directorial debut of Ronan Day-Lewis, which also marks the screen return of the now-unretired Danie...

Against all odds, The Big Short works. In fact, “works” is an understatement for what director Adam McKay has achieved with his improbable adaptation of Michael Lewis’ nonfiction book about the 2008 global financial crisis. Writing ...

The marketing campaign for The Blind Side plays up the inspirational aspects of the story - that it's based on the real-life rags-to-riches tale of football player Michael Oher and the woman whose fierce love and determination to help him allowed h...

There’s a time and a place for mayhem, and that’s essentially what Bullet Train is: two hours of fights, carnage, and witty repartee. Oh, it’s too long, to be sure – probably at least by 20 minutes. And its puzzle-like structure is too com...

Seen in Disney 3-D. It was bound to happen: a dud for Pixar. Making a sequel to 2006's Cars was always something of a head-scratcher. The original movie, while possessing a certain charm, was among the studio's least inspired efforts and the dea...

I'm not a Zac Efron hater; I thought he did a solid job in Me and Orson Welles, a film that showcased his ability to act when given the opportunity. However, in Charlie St. Cloud (as in his previous outing for director Burr Steers, 17 Again), Zefr...