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O.J.: Made in America, an epic documentary from Ezra Edelman, explores not only the rise and fall of one of football’s iconic players, but the status of race relations in America and the impact of celebrity-worship on modern culture. Althoug...

Oliver Twist has never been one of my favorite Dickens novels, so perhaps that’s part of the reason why I’m lukewarm about Oliver!, the stage musical-turned-Oscar-winning motion picture adaptation of the book. It’s an uneven film with a...

Open Water, the second feature from director Chris Kentis, has been compared to both Jaws and The Blair Witch Project. That latter comparison is an apt one; the former is not. Aside from one coincident element - both movies feature sharks - there...

Remember how Liam Neeson made it an annual tradition to release a cheesy action/thriller every January or February? Well, Neeson appears to have retired from that business leaving the door wide open for Gerard Butler to step through. Butler has th...

Precious (saddled with the unwieldy subtitle: Based on the Novel Push by Sapphire) manages the task of being both heartbreaking and heart-warming, all without resorting to the kind of manipulation so often evident in dramas about underprivileged ki...

Pride is one of those generic inspirational sports movies that has been cobbled together from spare parts left to rust on Hollywood's shelf of clichés and stereotypes. Take a little '70s racism, add the guidance of a strong coach, throw in minor ...

Pumping Iron is a puff piece. From its partly-scripted elements to its decision to focus on the most relatable aspects of bodybuilding, the movie is as far from a hard-hitting documentary as one can find. (For example, the rampant use of steroids ...

Jonathan Hensleigh's directorial debut is the second movie to be based on the Marvel Comics character of The Punisher. The first film, released in 1989, stars Dolph Lundgren in the role essayed here by Thomas Jane. The earlier picture is rarely ci...

Marvel Comics must really like The Punisher. This is their third attempt to bring him to the big screen. There's a saying that "the third time's a charm," but it doesn't apply here. More appropriate is this baseball-related statement: "Three str...

Moody and brooding, Scott Teems’ The Quarry falls loosely within a genre that has been dubbed “Western noir” by some critics. Undoubtedly a serious work that attempts to address immigration tensions and personal redemption, the film suff...