ReelViews for PG-13 movies

To call Eliza Hittman’s Never Rarely Sometimes Always “an abortion movie” is to do it a disservice. Not that such a description would be inaccurate – the film presents one of the most detailed, non-judgmental autopsies of the controver...

When last we encountered Pocahontas in movie-land, she had been Disney-fied to allow children to experience a sanitized version of her adventures. While there's nothing wrong with Pocahontas (except the history, that is), Terrence Malick is going fo...

News of the World, based on the 2016 novel by Paulette Jiles, is a road trip Western where the genre serves less as the focus than as a backdrop to the relationship between the paternalistic Captain Jefferson Kyle Kidd (Tom Hanks) and the 10-y...

Next represents Nicolas Cage's second superhero movie in the space of two months. However, where Ghost Rider was based on a comic book, Next takes its inspiration from a Philip K. Dick story. The result is not unlike what we have come to expect o...

When I first saw Next Stop, Wonderland at a packed screening in the Egyptian Theater during this year's Sundance Film Festival, I was not impressed, and couldn't understand why Miramax Films would ante up $6 million for what is fundamentally a re-t...

The Next Three Days, Paul Haggis' adaptation of the 2008 French film, Anything for Her, uses an interesting concept as a cornerstone of the foundation. Instead of employing a seasoned professional as the lead character of this heist thriller, the ...

It's strange how the concept of two people wandering around a city at night falling in love has come of age in 2008. First, there was In Search of a Midnight Kiss. Now there's Nick and Nora's Infinite Playlist. Of course, Richard Linklater can c...

Unconventionality is not always an asset and, in attempting to experiment with offbeat techniques to encourage viewer engagement, director RaMell Ross has inadvertently done the opposite, creating distance instead of immersion. In film, shaky cam-...

Night Swim looks and feels like one of those throw-away horror films that Blumhouse churns out with regularity. Last year, M3gan took the January pole position and lapped the pack, stunning with a $30M opening weekend and final domestic gross ...

I can kind-of, sort-of see how this story might work as a novel. Bad dialogue doesn't sound as howlingly awful when not spoken aloud. Idiotic plot contrivances don't seem as painful and obvious. A love affair depends only on the spell woven by t...