Search for Picture

It's a recognized fact that many epic love stories of literature and cinema transpire around or during a war. Consider, for example, Casablanca (World War II), Gone with the Wind (the American Civil War), Dr. Zhivago (the Russian Revolution), and ...

Memories of Murder, a 2003 thriller, marked South Korean director Bong Joon-ho’s calling card to the world of cinema. It preceded The Host, a monster movie that garnered international attention, and his two more widely seen films, Snowpierce...

Have you ever seen a tabloid headline like this: "Woman gives birth to son of six-headed alien"? Men in Black, the new science fiction comedy from cinematographer-turned-director Barry Sonnenfeld (Get Shorty), postulates that such stories are not...

Men in Black II would be a thoroughly entertaining affair if it wasn't for one thing: the plot. The annoying and pointless storyline is a constant irritant because it diverts our attention from the real reason to see this movie - the easygoing ch...

The problem with some franchises is that the studios don't know when it's time to quit. The lackluster nature of Men in Black II should have been a hint to Sony that the Men in Black series had run its course. Now, at least ten years beyond the "s...

If I used words like “tiresome” and “lazy” to describe this pointless remake/reboot, it wouldn’t be sufficient to express the apathy I feel for Columbia Pictures’ sad attempt to exhume a franchise that was pronounced dead by the ti...

Men, Women & Children seeks to explore issues of communication in the digital era. The wide-ranging net ensnares a variety of subjects: the implications of ubiquitous pornography, the chasm separating the world views of children and parents, and th...

Perhaps the thing that makes The Menu so delicious is the taste that accompanies watching the ultra-rich get trussed up and stuffed like Thanksgiving turkeys. A dark satire that skewers privilege and eviscerates the famous, the wealthy, and profes...

Polls of the most “important” films made during the silent era consistently rank Fritz Lang’s Metropolis at or near the top (alongside Eisenstein’s Battleship Potemkin and Murnau’s Nosferatu). There’s a reason for this: seemingly ...

The two best words to describe the 2006 motion picture Miami Vice are "stylish" and "intense." One of those descriptors without the other could lead one to suspect a pretentious bore or a pointless exercise in action but, by pairing them, writer/d...