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Robert the Bruce could be seen as a sort-of unofficial sequel to 1995’s Braveheart; in both films, Angus Macfadyen plays the role of the 14th century King of Scotland. The new movie, which Macfadyen co-wrote, transpires between one and two y...

Nearly a half-century after the theatrical debut of Jim Sharman’s The Rocky Horror Picture Show, the movie at the heart of the cult experience has been reduced to near-irrelevance. Devotees attend midnight screenings not because they want to...

Distilled to its essence, Romulus, My Father is a standard-order coming-of-age movie. Like most movies of this sort, it's based on someone's memoirs (in this case, those of Raimond Gaita) and includes moment of tragedy, sentimentality, and serenit...

Based on the evidence at hand, one has to assume the missing ingredient is Edgar Wright. Wright, the co-writer and director of Shaun of the Dead and Hot Fuzz, is nowhere to be found in the credits list of Run Fatboy Run. Instead, on this occasion...

The memory is not to be trusted, at least insofar as movie evaluation is concerned. When I first saw The Running Man in theaters more than 30 years ago, I believed it to be firmly rooted in the “dumb entertainment” category where many of t...

Sahara takes the action/adventure story to new heights of preposterousness. In a way, that's not a bad thing, since it allows a certain level of guilty enjoyment. You're never expected to take anything in the movie seriously, because the characte...

Despite the faint whiff of sanctimoniousness that occasionally emanates from this well-meaning motion picture, Saint Judy generally holds its own as a solid courtroom drama. Blessed with interesting characters and using a real-life case as the...

Say Anything is one of the best in a long line of teen romance movies, if not the best. Unlike many of its fellow genre entries, it is not filled with crude sex jokes, nudity, a lobotomized population, and poorly-defined subplots. And, while ...