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To the degree that "sophistication" would become one of the characteristics defining Academy Award Best Picture winners, that criterion was not yet in place when The Broadway Melody received its citation in 1930. One part air and one part cheese, ...

Sure as the turning of the leaves, this time of the year, fresh with the scent of Oscars to come, brings the release of a new Woody Allen motion picture. Two years ago, his Fall contribution was Husbands and Wives. Last year, it was Manhattan Mur...

Caramel could easily be dubbed a Lebanese version of Salon. The movie, the directorial debut of writer/director/actress Nadine Labaki, follows the lives and loves of five women whose paths criss-cross in Beirut. As is often the case with ensemble...

During the mid-1990s, in the wake of Quentin Tarantino’s unlikely ascent, the movie landscape was suddenly populated by all manner of Pulp Fiction wannabes. Some were better than others. Joe Carnahan got his start with one of these, 1998’s ...

To this day, there remains uncertainty as to the value of the intelligence information provided by Oleg Penkovsky (Merab Ninidze) during the height of the Cuban Missile Crisis. Was he, as the official narrative asserts, the highest-ranking Sov...

Dope, an unconventional coming-of-age story from writer/director Rick Famuyiwa (Our Family Wedding), posits the unlikely proposition of a straight-A student with nearly perfect SAT scores who builds a mini-drug empire as a stepping stone to get into ...

The problem with End of Watch, a gripping police drama, is director David Ayer's stylistic decision to shoot nearly the entire movie tripod-less. Or, to put it another way, there's a whole lotta shakin' going on. Much of End of Watch could almost f...

Pretty pictures - that what The Fall has to offer. It's impossible to debate director Tarsem Singh's (or the single-monikered "Tarsem," as he prefers to be called) flair for the visual, and his four-year odyssey across more than two-dozen countrie...

At times, Finding Your Feet tries too hard to be crowd-pleasing. The romantic comedy from director Richard Longcraine offers all the highs and lows demanded by the genre. The “twist”, to the extent it can be named as such, is that the char...

In many ways, The Forgiven feels like a CliffsNotes version of a longer, more complex narrative. But, even considering that numerous subplots might benefit from a mini-series approach to the material, the transformation of the central character is...