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Danny Boyle doesn't believe in doing the same thing twice. After the rousing success of the romantic fantasy Slumdog Millionaire, he has switched not only gears but continents to tell the true story of Aron Ralston in 127 Hours, an "action film wit...

With Can't Hardly Wait, I suppose first time directors Deborah Kaplan and Harry Elfont (whose previous credits include writing the script for A Very Brady Sequel) were trying to recapture the mood of a John Hughes '80s teen comedy. Unfortunately, ...

Die Hard represents the class of modern action pictures and the standard by which they must be judged. Few films falling into the "mindless entertainment" genre have as much going for them as this movie. Not only is it a thrill-a-minute ride, but...

It's rare that the sequel to a good movie lives up to expectations. Such is the case with Die Hard 2, the somewhat-muddled but still entertaining return of Bruce Willis' John McClane. Fortunately, the original Die Hard was good enough that there'...

Perhaps the best way to describe the third segment in the popular Die Hard series is by comparing it to the previous two. That should give an adequate assessment of how far the adventures of John McClane (Bruce Willis) have fallen. The original D...

Get Hard is a Will Ferrell movie that comes with all the strengths and weaknesses implied by the designation. Although the marketing campaign plays up the Ferrell/Kevin Hart "buddy" angle, the film skews more toward Ferrell's hit-and-mi...

One hot summer day in 1988, I emerged from a movie theater exhilarated by what I had just experienced. The film in question was the original Die Hard, one of the best thrillers of the decade and, one could argue, an all-time Top 10 entry for the ge...

Hard Candy is the kind of uncompromising independent motion picture that is likely to foster ambivalence in a significant portion of its audience. Admittedly, the film doesn't stand up well to a careful postmortem (many psychological thrillers don...

Inertia. The dictionary defines it as "a property of matter by which it remains at rest or in uniform motion," and this is an apt descriptor for Paul Thomas Anderson's debut feature, Hard Eight. During the first half, virtually nothing happens --...

All through its production and into the early days of its initial, aborted pre-release publicity, Hard Rain bore the appropriate moniker of The Flood. Ultimately, however, Paramount Pictures, nervous that this movie would be confused with 1996's o...