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Slingshot is about the first manned trip to Titan but, somewhere along the way, the primary narrative is hijacked by a series of too-long flashbacks and a questionable decision to insert a late-in-the-proceedings twist. A problem with this movie, ...

Samuel L. Jackson is on record as saying this movie isn't for critics. He's right about that. The problem is, it's not for many other people, either. Unless they're stoned. Or drunk. Or just enjoy making fun of bad movies (in other words, the M...

Few would debate that the story of Edward Snowden’s life is as compelling as it is controversial. Based on Oliver Stone’s biopic, Snowden, it would also seem to be inherently non-cinematic. By opting to go with a straightforward account o...

The only reason Soul Kitchen is being marketed as an "art film" in the United States is because it is subtitled. On merit, this is as mainstream as one can imagine - a generic, feel-good plot that's fit for a sit-com. Call it My Big Fat Greek Res...

Starting out in the Evening is as much a meditation on the craft of writing as it is a May/December romance. It's a gentle, unhurried drama about how people can connect with each other through conversation, nonverbal gestures, and writing. The pa...

When did Will Ferrell stop being funny? It wasn't that long ago that this Saturday Night Live alum looked to be following in the footsteps of the likes of Jim Carrey and Adam Sandler but, somewhere along the way, Ferrell's train derailed. Now, on...

For a 20 year period, from the release of Day of the Dead in 1985 to the opening of Land of the Dead in 2005, George A. Romero was off doing other things. Since then, however, this one-time horror innovator has become a one-trick pony. Admittedly...

Does the fact that Tag is loosely based on a real story make it more enjoyable? Not really, although it illustrates the absurdity of some human endeavors. It’s a red herring designed to distract from an underlying truth about this movie: it ...

Talladega Nights (subtitled, The Ballad of Ricky Bobby) is, in many ways, just like every other Will Ferrell comedy: take some satire, add some hit-and-miss jokes, throw in a lightweight storyline, and let the lead actor be the catalyst that crysta...

When James Cameron crafted The Terminator in 1984, the concept of a sequel was far from his thoughts. The film's box office performance, while more than justifying the movie's understated $6.5 million budget, did not result in studio executives ru...