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The Order, from director Justin Kurzel, turns back the clock to 1983 to explore a movement whose ideals and methods have striking relevance in today’s fraught political climate. The Order was a Neo-Nazi terrorist organization that splintered awa...

Will Ferrell's recent resume isn't anything to get excited about: Land of the Lost, Step Brothers, Semi-Pro, Blades of Glory. There's a sameness to all of them, not only in that the Ferrell characters are difficult to differentiate from one anothe...

Pacifiers are for infants. The same is true of The Pacifier. In fact, "infantile" may be the best single word to describe this Kindergarten Cop wannabe. Vin Diesel is better than the material, but, no matter how hard he tries, he can't rise abov...

In an attempt to say something positive about an otherwise disappointing movie, I’ll admit that it has a pretty good soundtrack, especially if ‘70s songs are your thing. As a pure comedy, Paint doesn’t work – it has a poor laugh-to-running...

What is the difference between a bad melodrama and a good one? The key lies in the emotional response. If the viewer feels that he or she is being forced into reacting in a particular way because of "button pushing," the film makers have erred. ...

A Price Above Rubies is writer/director Boaz Yakin's follow-up to his highly-regarded, tautly-paced 1994 picture, Fresh. Sadly, little of the energy and intelligence of the earlier film is evident in this, an overwrought melodrama populated ...

Technically, Rampage fits into the “based on a video game” category but, as with most products from the ‘70s and ‘80s (when games weren’t exactly narrative-based), significant changes were applied to make the concept viable for the b...

Riff Raff reminds me of one of the avalanche of post-Pulp Fiction movies that tried (and mostly failed) to latch onto the vibe that the Tarantino film gave off. Riff Raff owes a lot to Tarantino (and probably just as much to the Coen Brothers) ...