Search for Barry

Movie-goers attend Ken Loach movies for a variety of reasons, but one of them is not to have a "feel good" experience. The reason? Loach consistently looks at believable characters in realistic situations. His pictures are not escapist; they're ...

Sometimes, pure technical accuracy isn't enough. Sometimes, artistry has to be taken into account. One such case in point is Barry Levision's The Natural, arguably the best baseball movie ever made. The film works not because it is flawless in i...

Eddie Murphy's 1996 remake of The Nutty Professor is one of those movies that, at least from a creative perspective, neither deserves nor warrants a sequel. What's the point? More of the same, it seems. Any time a movie makes $130 million in the...

Eddie Murphy does not make "comebacks", because, according to him, he hasn't been out of the spotlight. But, following three critical and box-office flops (The Distinguished Gentleman, Beverly Hills Cop III, and Vampire in Brooklyn), Murphy is hop...

It's probably just a coincidence, but the two Bond films that Maud Adams appeared in -- The Man with the Golden Gun and Octopussy -- are easily the silliest entries in the long-running series (not counting the intentional spoof Casino Royale). In...

The concept of immortality isn’t new material for either comic books or science fiction/fantasy but the seriousness with which it is treated by The Old Guard is atypical. The movie, based on the graphic novel series by Greg Rucka & Leand...

With the exception of one production aspect, On Her Majesty's Secret Service is by far the best entry of the long-running James Bond series. The film contains some of the most exhilarating action sequences ever to reach the screen, a touchin...

Perhaps I am unduly harsh on motion pictures that waste a promising premise. One Last Thing is a case in point - the underlying concept is rich with possibilities, yet director Alex Steyermark (Prey for Rock 'n Roll) and writer Barry Stringfellow ...

Watching Out of Africa a quarter of a century after its release, it's almost impossible to guess how it won the Oscar for Best Picture. There's little doubt that this is a feast for the eyes and ears. The pairing of John Barry's lush score with D...

Outlaw King, a lavish period piece fronted by Chris Pine and Stephen Dillane, could be seen as a follow-up to Mel Gibson’s Oscar-winning Braveheart, although this new production lacks the epic greatness that infused the earlier film. Pickin...