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From its start, The Brutalist feels like an epic. Available to theaters in 35mm and 70mm formats (in addition to the ubiquitous digital) with an intermission built into the prints, it bucks the current trend of taking long-form stories and streami...

Crawl is an old-fashioned B-grade monster movie made with 2019 technology. In short, that means plenty of gore and jump-scares to go along with creatures that no longer look like puppets or men in rubber suits. Jaws kept the shark hidden for m...

I love the beginning – the sense of time and place. Part of this has to do with the introductory voiceover narration (provided by the writer of the novel, Donald Ray Pollock, whose intonation has all the right qualities for this job). Part o...

Hyde Park on Hudson represents the odd marriage of an uninteresting, borderline-creepy "romance" and a peek behind the scenes of a notable but unsung historical event. 2012 has seen dramatizations of eras from the administrations of two of America'...

Nightcrawler is a dark and cynical movie for a nihilistic age. It's tense and at times uncomfortable, perhaps because the viewer recognizes that, although the story is fiction, there's a lot of truth in what it has to say about local news and the i...

Vox Lux opens with a shock to the system – a scene so stark and well-crafted that its aftermath lingers even as it informs the life decisions of Celeste, the movie’s central character. The movie starts out immersed in normalcy – a high s...