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Following scathing audience reaction to a "work copy" of Elizabethtown shown at several major late-summer film festivals, writer/director Cameron Crowe went back to the drawing board, paring down the 138-minute "director's cut" to a slightly more m...

Far from the Madding Crowd, based on Thomas Hardy's fourth novel (and the first to have widespread success), is precisely what one would expect from a big budget adaptation of a Victorian classic: stately, beautifully photographed, impeccably act...

Because Fast Times at Ridgemont High arrived in movie theaters during the height of the '80s "teenspoitation" era, it has often been unfairly lumped together with Porky's and its successors and copycats. In reality, Fast Times is smarter and more per...

If one was to judge The Goldfinch on the basis of John Crowley’s motion picture adaptation, confusion would be understandable about why the novel is so beloved and acclaimed. Even given ideal circumstances, Donna Tartt’s book, which relies...

Every time I think Hollywood has slipped beyond redemption, someone in the system produces a film like Jerry Maguire that renews my faith. Apparently, creativity is not dead in the mainstream movie market -- not entirely, at least. This is th...

A dozen years ago, the prospect of a romantic comedy starring Tom Hanks and Julia Roberts - two of the most bankable actors of the late-'90s and early-'00s - would have created waves of anticipation. In 2011, this second collaboration between the t...

There is so little wrong with this film that I'll get the incidental negatives out of the way first. The introductory moments are somewhat confusing, and it takes about fifteen or twenty minutes to get the characters and situations straight. Made...

The Lighthouse is an unconventional thriller that combines claustrophobic elements such as those found in submarine movies with the isolation aspects of productions like Cast Away. While exploring the strained interpersonal relationship betwee...