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All the Real Girls is an anti-Hollywood romance; a tonic for all those weary of the usual cinematic overglamorization of love. Anchored deep in the bowels of reality, this movie proves that love can be just as affecting and effectively realized wh...

Had The Alto Knights been made a little more than a quarter-century ago, it would likely have generated interest and excitement, even if the end result isn’t deserving of either. After all, back in the late 1990s, director Barry Levinson was nea...

As a history lesson, Amazing Grace is okay. It stays reasonably true to the established record with minimal embellishment. However, as motion picture, the film is lacking in several key areas. The presentation is choppy, with lengthy sections dev...

It opens with images of a late-night poker game: cards, chips, sweaty palms, concerned faces, and a woman's fingernails. Then, as night turns to day, the camera moves into the streets of New York, and, with the first bit of dialogue, we know we'v...

Racism. It's almost impossible to turn on a news program, read a paper or magazine article, or engage in a political discussion without that word coming up at one time or another. White Rage has many forms - from the hoods of the KKK to the shave...

By cannibalizing the casts of his previous two movies, director David O. Russell has come up with his third consecutive winner. American Hustle, very loosely based on late 1970s "ABSCAM" sting, takes its cues from Boogie Nights both in terms of how...

With American Pie, it's a case of the reality of the situation being dwarfed by the hype. Word of mouth has this pegged this as the most raunchy movie of the summer - a film that embraces taboos and pushes the limits of the MPAA's R rating (indeed...

In the case of American Pie, more is less. As in less funny, less sexy, and much, much less enjoyable. This sequel, like so many that have preceded it this year, exists exclusively because its forerunner made a lot of money - and the lack of insp...

Here's a word analogy: Amistad is to The Lost World as Schindler's List is to Jurassic Park. In 1993, after Steven Spielberg made the monster dino hit, many critics described Schindler's List as the director's "penance" (as if there was a need for...

With its whiplash-inducing tonal inconsistencies and sloppily assembled narrative, Amsterdam often feels like a pastiche of (take your pick) Monty Python, The Coen Brothers, or Wes Anderson grafted onto a crime caper/espionage thriller with a ...