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It’s strangely refreshing to watch a courtroom drama where theatricality doesn’t trump meticulous examination and cross-examination. Most movies about law & order, regardless of the factual basis (or lack thereof) of their source mate...

Break out the whips and chains! We're going on a trip to an island called Eden, where the dominatrix Mistress Lisa holds court and just about anything (supposedly) goes. And, judging from the actual journey, if author Anne Rice has any complaints...

With a sly wit and a dark edge, director Yorgos Lanthimos plunges into the murky waters of early 1700s British politics, where few positions were more enviable and less stable than being the queen’s favorite (or, in Brit-speak, “favourite�...

When the characters in Footloose are dancing and the music is blaring, the film comes alive. It has energy and personality. Would that the same could be said about the dramatic scenes, which are hamstrung by a combination of mediocre acting and atr...

Hounddog began its public life at the 2007 Sundance Film Festival, where it was inauspiciously dubbed "the Dakota Fanning rape film." Poor audience and critical reception led the director to "re-work" the movie, which emerged from limbo for limite...

Jingle All the Way represents Arnold Schwarzenegger's fourth attempt at a "straight" comedy (I'm not counting Last Action Hero or True Lies, which were highly action-oriented), and, like the others that came before it, this movie isn't all that fun...

Often, when a romantic comedy fails, it's because of the lack of chemistry between the leads. In the case of Leap Year, the problem isn't the absence of chemistry but the presence of too much of the wrong kind. The sense of cold antagonism that i...

How to describe Steven Soderbergh’s Let Them All Talk? The second major movie in 25 years set almost entirely aboard an ocean liner making transatlantic crossing? An Agatha Christie mystery without the mystery? An opportunity to remember how...