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Adrift, like many competently-crafted survival films, chronicles the ultimate underdog bout: Human against Nature, where the odds are stacked against the former by the sheer power of the latter. Most survival tales come with a “based on a tr...

Alex Cross, loosely adapted from the novel Cross by James Patterson, has all the earmarks of something contorted and condensed to fit into the 100-minute time limit imposed on mass marketed motion pictures. Parts of the movie feel inexcusably rushe...

It's difficult to overstate what director Abdellatif Kechiche has achieved with Blue is the Warmest Color, his powerful (if controversial) look into the life of a young girl as she experiences the highs and lows of first love. This may seem like a ...

If Meet the Feebles wasn't your cup of tea, Night of the Living Dead grossed you out, and you didn't see the humor in The Evil Dead, then Cemetery Man is definitely not for you. On the other hand, if you don't mind horrific, grotesque comedy that ...

It’s fair to ask what new things Eli Roth and Bruce Willis bring to Death Wish that the original, made in 1974 with Charles Bronson, didn’t have. The answer is: not many. Rather than using this as an opportunity to provide a deeper dive in...

Eye of the Dolphin is a family drama that will appeal to anyone who likes movies with the hard edges blunted and the narrative bumps smoothed. There's real heart to be found in the story but it comes along with borderline saccharine sentimentality,...

Applying the Groundhog Day premise to a horror movie is so obvious a conceit that I’m surprised it hasn’t been previously attempted. It’s a no-brainer. Unfortunately, director Christopher Landon and screenwriter Scott Lobdell have taken t...

Legally Blonde 2 should never have been made. It is a cinematic abomination - a source of embarrassment for everyone involved. There have been worse films this year, but none has been marketed as this fun-loving and upbeat. Worthwhile moments ar...

Almodovar. To those familiar with his body of work, that name is more than just a way to identify one of today's premiere directors -- it offers valuable insight into the scope and intent of a movie. Since his debut in 1980 with Pepi, Luci, Bom, ...

The first thing to state about Salo, the oft-banned and infamous final movie of Italian filmmaker Pier Paolo Pasolini, is that it has a purpose beyond depicting a catalog of taboos and grotesqueries rarely seen on screen. With Salo, which has a sec...