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A Most Violent Year is a throwback - an homage to or recreation of the kinds of movies made by Martin Scorsese and Sidney Lumet during the 1970s. The setting isn't coincidental - J.C. Chandor's film transpires on the mean streets of New York ...

Whenever a movie is released that seeks to tantalize the taste buds through the sheer force of its visual imagery, most critics feel duty-bound to advise potential viewers not to see the film on an empty stomach. That warning applies here, althoug...

Mother is a most atypical murder mystery. This is not only because it features an aging female "detective" who represents a bizarre fusion of Miss Marple and Jane Tennison, but because the surreal style contradicts the normally gritty approach we ...

Something went wrong (or got lost) in the translation of Graham Swift’s novella to the movie adaptation, directed by Eva Husson from a screenplay by Alice Birch. There’s no debating that the finished product looks gorgeous, with all credit due...

Before he became the leader of the Cuban Revolution, Che Guevara was an introverted medical student living a sheltered life in Buenos Aires. His life changed in 1952, when, despite almost being done with his degree, he decided to take a break from ...

When The American President was released, many knowledgeable movie-goers commented how the sentimentality of its "feel good" storyline recalled the work of director Frank Capra. Now, with Mr. Holland's Opus, another Capra-esque motion picture has ...

Mr. Malcolm’s List feels a lot like a watered-down version of Netflix’s hit streaming series, Bridgerton (although, to be fair, Mr. Malcolm’s List is based on a short film that came into being before Bridgerton went before cameras). Both are...

Mr. Turner, Mike Leigh's chronicle of the last 25 years in the life of painter J.M.W. Turner (Timothy Spall), is most notable not for its slow pacing, outstanding acting, or accurate period detail, but for the cinematography by Dick Pope. Pope, w...

Mrs. Brown is a love story much in the same vein as Carrington in that it deals with platonic affection that runs deeper and truer than that of the motion picture staple romantic variety. These days, it seems that whenever we see a male/female...

Mrs. Harris Goes to Paris matches the tone and aesthetic of one of those feel-good, highbrow art house films that were popular during the 1990s and 2000s. (It’s not quite on the same level as Enchanted April but is better than The Best Exotic Mar...