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Locked, David Yarovesky’s English-language remake of the 2019 Argentinian thriller 4x4, comes equipped with a simple premise: a petty criminal, while attempting to steal a luxury vehicle, becomes trapped inside when he triggers its aggressive an...

Lockout is painful. Not painful in the way Uwe Boll or Sex and the City movies are painful. But painful enough that I kept waiting for Nicolas Cage to show up. Or Katherine Heigl. Or, god forbid, both. Instead, however, we have Guy Pearce and Maggi...

The Lookout is an effective little thriller that almost works from taut beginning to unspectacular end. The premise is interesting and the story is developed in such a way that the viewer is engaged throughout. The opening scene hooks us and the ...

If nothing else, the film’s title is accurate – this is indeed a tale of Lost Girls and Love Hotels. As much an exploration of the two faces of Japan as it is a chronicle of the sordid tragedy of one woman, the film suffers from an overly-...

Perhaps it's redundant to say that a David Lynch movie is weird (actually, "incomprehensible" might be a better word). Don't ask me to explain Lost Highway; I'm not sure I can. For that matter, don't ask Lynch, either. All he's willing to sa...

Over the years, movies have given us countless meditations on death and mourning, many of them hopelessly artificial and cloying. When something like Love after Love comes along with its unsparing look at this process, the result can be uncomf...

Love Me is a testament to the ability of a marketing team to assemble an intriguing trailer out of 90 minutes of pretentious poppycock. Watching the trailer, one might expect the movie to offer an adult version of the story told in the family film...

Winner of the Camera d'Or at the 1996 Cannes Film Festival, Love Serenade, the feature debut of Australian director Shirley Barrett, has the kind of nasty, biting wit that juries at film festivals seem to appreciate. For the most part, movies ...

Love's Labour's Lost has always been regarded as one of the most enigmatic of Shakespeare's plays. In modern times, it is almost never performed, and, unlike the text of the Bard's major works, it fails to come alive on the printed page. In an in...

In an era when MTV-inspired film making techniques have begun to dominate motion pictures, its refreshing to see something with the simple, unhurried style of Japanese director Hirokazu Kore-eda's feature debut, Maborosi. This film, which is reall...