Search for Film

The Mist is what a horror film should be - dark, tense, and punctuated by just enough gore to keep the viewer's flinch reflex intact. In fact, that movie's ending is so uncompromising that one must assume director Frank Darabont had final cut so t...

A slickly-made exploitation film set during the War of 1812, Ted Geoghegan’s Mohawk is taut, bloody, and uncompromising – all with a dollop of social commentary thrown in for good measure. Like the recently released Hostiles (which is set ...

An understanding of how society uses - and, more importantly, misuses - the term "monster" offers crucial insight into the intentions of first time filmmaker Patty Jenkins. Without offering justifications or excuses, Jenkins seeks to provide some ...

81-year old Ousmane Sembene has been called "the most important cinematic voice ever to come out of Africa," yet because of the quirks of the distribution system and the American movie-goer's acknowledged distaste for anything unfamiliar, none of t...

Moscow, Belgium is a romantic comedy with a different flavor. Although it follows many of the familiar patterns that characterize movies of this genre, it does enough things differently to allow it to step outside of the norm. While some elements...

Mrs. Brown is a love story much in the same vein as Carrington in that it deals with platonic affection that runs deeper and truer than that of the motion picture staple romantic variety. These days, it seems that whenever we see a male/female...

"[Dorothy Parker] was a groundbreaker in a lot of ways. In her day, to write captions and fashion stories was about all that a woman writer could aspire to. Dorothy had the respect of her peers. But she was also a critic, and I think she worked ...

As a tale of human courage and personal triumph, Murderball works. As a sports documentary, it falls short of the mark. Fortunately, Henry Alex Rubin and Dana Adam Shapiro's crowd-pleasing movie (it won the Audience Award for Best Documentary at ...

The previews for Muriel's Wedding liken this latest Australian import to two of its predecessors, Strictly Ballroom and The Adventures of Priscilla, Queen of the Desert. These are inaccurate, not to mention misleading, comparisons. Those expe...

To call Music of the Heart a departure for filmmaker Wes Craven is to make an understatement of colossal proportions. Craven, the driving force behind two of the world's most popular horror movie series, A Nightmare on Elm Street and Scream, has o...