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With something as controversial as Shortbus, you can never get a sense of what you're in for based on word-of-mouth, especially when there's no consensus. Some think it's a masterpiece (or nearly so). Others think it's an abomination. Such a divisi...

Despite being sold and marketed as a thriller, the most interesting aspects of Shot Caller are the dramatic ones. Beneath all the machismo and traditional crime movie trappings, writer/director Ric Roman Waugh has something to say about the d...

I can understand director Matthew Ross’ dilemma. In order to get Siberia made, he needed a “name” to become involved. That “name” was Keanu Reeves. Unfortunately, Reeves lacks the intensity necessary to play the main character, Lucas...

There's something delightfully old-fashioned about Steven Soderbergh's Side Effects. It's the kind of thriller that Alfred Hitchcock might make if he was still alive and active today. It never seeks to do too much with the premise nor does it go ov...

For about 50 minutes, Silent House represents one of the most intense, unsettling horror movies I have recently viewed. This is Halloween territory, where the tension is so thick as to be almost unbearable. It's the kind of experience hard-core hor...

John Sayles has always made political films; they are his bread-and-butter. Yet none, not even Matewan or City of Hope, has been more openly partisan than Silver City, which rips into the anti-environmental policies of the current administration, ...

Sin City is the most visually inventive comic book adaptation to make its way to a movie screen. While other directors have attempted to remain faithful to the look and "feel" of their source material, Robert Rodriguez has taken things a step furt...

For those who appreciated Robert Rodriguez and Frank Miller's 2005 campy, kinetic film noir homage, Sin City, the 2014 follow-up, Sin City: A Dame to Kill For is unlikely to disappoint. It's more of the same and, although a good deal of the freshne...

On the surface, it's easy to assume that Sirens is a lighthearted erotic romp through the secluded wilds of Australia's Blue Mountains in the 1930s. Like in some modern-day garden of Eden, there are snakes, ripening fruit, and plenty of naked bodi...

Skincare takes its inspiration from the real-life case of Dawn DaLuise, a West Hollywood aesthetician whose dubious business tactics, which may have included hiring a hitman to eliminate a rival, made headlines in the L.A. era back in the mid-2010...