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Scott Hastings (Paul Mercurio), one of Australia's best ballroom dancers, is targetted for a number of championships until he abandons the Dance Federation's rigid steps in favor of his own moves. Horrified by his unorthodox behavior, his partner,...

Stuck, like many in the thriller/comedy genre, has difficulty handling the tonal shifts between humor and suspense that exist within its framework. That's not to say the movie fails - there are times when it is bitingly funny and times when its bl...

Summer Hours is about death, but not death in the way that it is often packaged and sold to us in movies. Defining grief is a difficult thing. Why do we mourn? Do we grieve for the person who has died or for the ones he (or she) has left behind?...

Summerland, the directorial debut of playwright Jessica Swale, tells the familiar story of the spinster who has an unwanted ward thrust upon her and, despite initially resenting him, comes to care for him. Swale’s screenplay deflects some cr...

There has been much discussion and debate recently about the simplistic and juvenile handling of characters in female-oriented motion pictures, with perhaps Confessions of a Shopaholic being the poster child for what's wrong with many of these movi...

Miramax owes a debt to New Line Cinema. In order to facilitate Jackie Chan's long-overdue breakthrough in the American market, New Line spent a lot of money hyping Chan's Rumble in the Bronx, taking great pains to make sure nearly everyone who ...

Sweet Virginia is an odd title for a movie set in Alaska. An early version of this moody, atmospheric neo-noir thriller was located in the Appalachian Mountains; however, when director Jamie M. Dagg came on board, he moved the setting far to t...

The Switch made me want to gnash my teeth in frustration. Nested within the restrictive confines of a middling romantic comedy is a secondary plot of some immediacy and power. It results in several moving scenes and allows Jason Bateman's acting ...

Errol Morris may be unique among high profile, veteran documentary filmmakers in that his primary interest is in the people he interviews. His movies are real-life character studies not pseudo narratives, political rants, or "serious" examinations ...