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The Tracey Fragments uses its non-standard visual style, a split-screen approach that can show from one to sixteen frames at any one time, in a vain attempt to camouflage the paucity of the story. Director Bruce McDonald, working from a script by ...

During the Spring of 1990, I remember being transfixed in front of the television set for an hour each Sunday night over a period of five weeks. The occasion was the "Masterpiece Theater" presentation of the British mini-series "Traffik", a comple...

Next to Independence Day, Trainspotting may be the most hyped motion picture of the summer. Miramax Films, the distributor that saturated the market with ads for The Crying Game in 1992- 93 and Pulp Fiction in '94, has struck again. Trainspotti...

Traitor is an uncommonly intelligent espionage thriller that explores the moral and ethical dilemmas faced by agents who go deep undercover in the service of their country. For movies that revolve around terrorist organizations and acts, there a...

Spoiler warning: Technically, this review contains spoilers. But does anyone really care? By writing this, I am reviewing a direct-to-DVD movie. True, Trespass is opening in a select number of theaters in mid-October 2011 (the word "select" bein...

Justin Kurzel’s True History of the Kelly Gang opens with a warning that nothing in the film is true. Although that might be stretching things a bit, it puts viewers on notice that the events depicted herein adopt as gospel the Robin Hood-li...

In 2014, Japanese director Hirokazu Kore-eda’s Like Father, Like Son missed the #1 spot on my annual Top 10 list by a whisker (it was one of three films that year to which I awarded four stars). A few years later, his Shoplifters topped the l...

When a director can take a reprehensible monster and, over the course of a scant 90 minutes, turn audience reaction from distaste to sympathy, that's the mark of an adept filmmaker. This occurs in Tsotsi, an emotionally honest tale of redemption t...

There's something compelling, and occasionally profound, about a well-made coming of age story. Perhaps part of the reason is that the experience, although shaded with subtle differences for each individual, is universal. Regardless of race, clas...

History has decreed that Umberto D., a 1952 film from celebrated Italian director Vittorio De Sica, is one of the best representations of neo-realism committed to film. (Ingmar Bergman called it a “favorite movie” and Martin Scorsese labeled i...