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The era of the Universal classic monster movies lasted from 1931, when the studio released Dracula (featuring Bela Lugosi’s iconic portrayal), until 1948 when Abbott and Costello Meet Frankenstein took the venerable horror figures into parod...

Catch Me if You Can is the closest director Steven Spielberg has come to making a comedy since 1979, when his 1941 bombed at the box office. A jaunty caper movie inspired by real-life events, Catch Me if You Can never takes itself or its subjects ...

Cavalcade, which is based on the Noel Coward play of the same name, became the third anti-war movie in the Academy Awards' first six ceremonies to win the Best Picture Oscar. If nothing else, this reveals something about the lingering power of Wor...

Suddenly, the "Hong Kong style" is in. Not only are director John Woo and actor Jackie Chan both releasing English-language films early in 1996 (Broken Arrow and Rumble in the Bronx, respectively), but the number of Hong Kong titles obtaining wide...

We know from experience that Adam Sandler has a fondness for Frank Capra. After all, is there anything odder than watching Sandler channel Gary Cooper in a remake of Mr. Deeds (Goes to Town)? Actually, there is. It's watching Sandler channel Jim...

Based on a perusal of reviews for Cloud Atlas, one might be convinced that the sprawling, ambitious, epic adaptation of David Mitchell's 2004 novel is either a masterpiece or an unmitigated disaster. The reality is somewhere in between. It's hard t...

Over the years, I have come to expect great things from Michael Winterbottom. I haven't loved everything he has done, but he has made some powerful movies and even his least inspired films have been watchable. So Code 46 broadsided me, provoking an...

Those going to Cold Pursuit expecting a typical early-year Liam Neeson action thriller may be disconcerted by what Norwegian director Hans Petter Moland delivers. On the surface, this is a standard-order revenge movie: a snow-plow driver, Nels...

It’s easy to understand why Collateral Beauty, at one time viewed as a potential Oscar contender, was removed from awards consideration by Warner Brothers. (They decided to dump it into theaters on the same day as Rogue One, possibly hoping no ...

Since the release of Jurassic Park, Michael Crichton has become a Hollywood staple. Rights to each new novel are quickly optioned, and the resulting film is on the market as soon as ILM can get the special effects done. Congo is the fourth adapta...